Twitter Updates

    follow me on Twitter

    Friday, 23 April 2010

    High-rise Graffiti Shoot, Dhaka, 23 April 2010

    it was a very very sultry weather, but we braved the weather to venture into a room that drains the energy out of the body in minutes!!

    it was another strobist meet..... a meet that we learned to call Studiowalk.... it got that sort of name because we not just shoot with strobes, but shoot with anything that we can put our hands on...... anyway, this short, but nice Studiowalk was organised by Zaim..... actually we couldn't even think of something like this without Zaim's proposal....... his proposal was unanimously greeted with excitement and the enthusiasm actually skyrocketed once we saw the samples of the graffiti over there... Zaim and his friends created these arts and gave a new horizon to think about.... at least, I haven't seen such graffiti in our country so far..... we simply didn't want to miss such a unique opportunity..... so, there we went.... it was a preparation of almost a week, yet we felt a little under-prepared once we reached there....

    the building has been abandoned for more than four years...... and gives an eerie feeling inside..... there are marks of human activity, but not a single soul to be found..... the floors have acquired so much dust that one can create a graffiti using the dust!....... all the floors were empty and dusty.... we climbed to the top floor, the 10th floor..... and things began to clear up in front of us..... this floor contained offices, and there were plenty of files and other office stuff to corroborate the fact..... the floor was once fully air-conditioned; so, now it contains to air outlet..... we opened the door to the balcony and let some air and light in.... this made us survive there for around two hours.... the month of April was felt inside down to our bones..... it was sultry and exhausting.....

    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    model: biju
    Nikon D700 + Nikkor AF 50mm f1.4D
    f8, 1/250, ISO 200
    Strobist info:
    3 x SB-900 with warm gel filter outside filtered window glass on stand; TTL mode; triggered with SU-800+ extension cord


    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    model: biju
    Nikon D700 + Nikkor AF 50mm f1.4D
    f5.6, 1/250, ISO 200
    Strobist info:
    3 x SB-900 with warm gel filter outside filtered window glass; 1 x SB-600 with honeycomb grid on left on stand; TTL mode; triggered with SU-800+ extension cord




    anyway, we started off with the main graffiti..... the sun was exactly to the opposite side and there were huge windows with filtered glasses prohibiting light from coming inside.... the graffiti was pretty much in the dark, so, we needed to set up some flashes to light things up..... we set up three SB-900 flashes outside the window with warm gel filters to create late afternoon sunlight..... but it proved difficult to trigger the lights with the SU-800 from inside the dark glasses.... it took some effort to get an acceptable exposure.... we weren't absolutely happy about it, but accepted it..... needed to set up another SB-600 with honey-comb grid as fill light..... the samurai replica from Hameem gave us the opportunity create some drama.... the whole thing proved tough because of the extreme contrast created by the graffiti colours.... we couldn't find a satisfactory solution to it.....

    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    model: dipa
    Nikon D700 + Nikkor AF 50mm f1.4D
    f3.5, 1/200, ISO 200
    natural afternoon light coming through large filtered glass window


    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    model: zaim
    Nikon D700 + Sigma APO 150mm f2.8 EX DG HSM Macro
    f3, 1/250, ISO 1400
    natural afternoon light coming through large filtered glass window


    anyway, shooting continued with strobes..... there were quite a few strobists there shooting away.... I gave a hand to some and helped create some great images..... I, on the other hand, found my frames with available light.... the huge filtered glass was holding enough of the afternoon sun to get some cool portraits.....

    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    model: zaim
    Nikon D700 + Sigma APO 150mm f2.8 EX DG HSM Macro
    f3, 1/500, ISO 200
    natural afternoon light coming through door


    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    model: zaim and kamal
    Nikon D700 + Sigma APO 150mm f2.8 EX DG HSM Macro
    f3, 1/320, ISO 200
    natural afternoon light coming through door


    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    model: kamal + hameem's samurai
    Nikon D700 + Sigma APO 150mm f2.8 EX DG HSM Macro
    f3, 1/2,500, ISO 200
    natural afternoon light


    Hameem's samurai had seen some action, though mostly without its original owner... while I was shooting Zaim with the samurai and thinking of creating a scene where a samurai silhouette would be attacking someone else's silhouette, Zaim came up with a cool idea of creating a Japanese beheading ritual...... Zaim and Kamal created the scene, though there were not enough space to do this properly.... we also went outside and shot the samurai with the setting sun......

    From High-rise Graffiti Shoot, Dhaka, April 23 2010

    The Koba Squad!!
    Nikon D700 + Nikkor AF 50mm f1.4D
    f10, 1/500, ISO 200
    Strobist info:
    6 x SB-900, SB-800, SB-600 on stand (4) and on ground (2); TTL mode; triggered with SU-800


    the last act of the day was a group shot..... the big graffiti was the obvious choice for a background..... it was real challenge to light everyone with strobes, since we had space constraints on one side, which left us with one side to setup the strobes..... we used a total of 6 speedlites to do the job...... killed the ambient light with a high shutter speed and set up two flashes behind the people in front to that we had enough light for the people in the far corner.... it wasn't the most ideal of group shots, but was enough for us start packing.... it was already quite dark and we had to go all the way down the dark stairs.... there was no electricity in the whole building.....

    it was a cool outing.... though tough from the conditions point, it surely helped us learn quite a few things..... lighting and other conditions were quite different from what we had encountered in other places.... the challenge was great and we thought we came through..... lessons were learned, for another day..... we have to come back.....

    for more shots from same venture, please visit the following link:
    High-rise Graffiti Shoot, Dhaka, April 23 2010

    Sunday, 18 April 2010

    Lessons of Baliati and Nikunja strobist meets......

    I really feel there were many things to learn from the several recent photowalks we had in the strobist way....... I've thought about listing them down, but haven't really got the time to do it..... at last, I got determined to finish it...... here we go.....

    Grip Kit:
    keep as many options with grip kit as possible..... grip kits can save the day many many times..... take as many tripods and light stands as you can..... you may not always find assistants to hold lights...... sometimes, lack of proper grip kit can even get expensive equipment damaged!!

    and if you place lights on the ground, they'll create multiple problems with unnatural shadows..... its also a pain to hold diffusers...... tripods and light stands are the solution..... take as many as you can, even if its a pain to carry them..... and take as many clamps, clips, rope, tape etc. to improvise....



    Diffusers:
    take all types of diffusers, especially the bigger ones, as they can help you take a full-body portrait..... less than ideal models would always force the photographer to look for full-body portraits...... close portraits would be more appropriate for models with better facial structure and skin tone.... smaller diffusers would then be very useful..... umbrellas can be the most cost-effective way to diffuse light if light fall-off on the background isn't an issue.....



    Reflectors:
    bigger reflectors are needed if they are going to be used for full-body portraits.... small reflectors are OK for close portraits; so, they're always useful to have.... its always quite tricky to make proper use of reflectors, as they cast a huge amount of light...... mastering the art of reflector photography can be a target for the future strobist meets....


    Warm Gel Filters:
    these are exceptionally useful and can create late afternoon sunlight any time.... they can make a rather bland picture pop.....



    Number of Strobes:
    take as many as you can...... this is especially for group portraits.... sometimes, while trying to overpower the sun, more than one flashes may be needed..... bigger, and more powerful strobes may help even more in this regard......



    Strobe Distance:
    have to be very careful about this, as strobes can cause flare on the lens if they're too close to the subjects while taking group portraits.....

    Models:
    we definitely need more models for smoother shooting...... photographers can be models, but it would restrict the learning of the photographers in some way..... dedicated models can go a long way in this regard.....



    well, these are some of the lessons that have come to mind.... others can share more....

    Saturday, 17 April 2010

    Nikunja Strobist Meet, 16 April 2010

    it was a sudden decision..... the holiday wasn't sudden; so, we had a prior thought to utilise the spare time.... afternoon was the target and the great idea for a place came from Atia..... she was the catalyst behind the previous short photowalk at Nikunja.... this time too, she came forward and guided us..... we were a bit confused about the venue, but once she came on board, it was fixed.... we would shoot near the air port using strobes.... and we would have taking-off aircraft behind the subject....

    getting to the place needed some effort, as the place is a bit under watch.... people can go there, but at some places, checkpoints are there and the guards need to be convinced...... anyway, we took a different route and avoided checkpoints.... Saif Bhai went back to bring his car through the main checkpoints, which ensured security for the car and a much better way to go back during the evening......

    we took our position assuming that Atia was right about the airline schedule..... according to her, there was a flight of Saudia at 4:30PM, which was certainly not going to be any other than the huge Boeing 747...... we didn't want to miss such an opportunity to have a giant like that in our frame.....

    we soon found out that planes were taking off from another direction and the 747 was nowhere in sight..... so, we quickly changed our direction and setup..... the sun was setting on our left.... we kept the sun in the frame as long as we could.... and the rest of the times, we were depending on the afterglow..... we shot away until around 6:45PM, when it was pretty dark...... we had a lot of fun and didn't forget to learn all the way..... it was a good practice session, and a nice afternoon adda with some cool people.....

    here are some glimpses of the captures.....

    we started off with typical portraits using flashes..... the main idea was to overpower the sun and to underexpose the background.... it was the warm-up time before we could see some big airplanes overhead....
    From Nikunja Strobist Meet, 16 April 2010

    model: biju
    Nikon D700 + Nikkor AF 20mm f2.8D
    f4, 1/1,600sec, ISO 200
    Strobist info:
    Two SB-900 on ground on camera right with warm gel filter; TTL mode; triggered by SU-800


    From Nikunja Strobist Meet, 16 April 2010

    model: tahmid
    Nikon D700 + Nikkor AF 20mm f2.8D
    f4, 1/1,600sec, ISO 200
    Strobist info:
    Two SB-900 on ground on camera right with warm gel filter; TTL mode; triggered by SU-800


    we had to change our direction quickly to catch the airplanes in our frame.... the sun was on our left, and using a wide lens, it was possible to bring the sun in the frame..... the sun was already behind the trees, so, just a bit of read was all we could catch.....
    From Nikunja Strobist Meet, 16 April 2010

    model: atia
    Nikon D700 + Nikkor AF 20mm f2.8D
    f4, 1/1,600sec, ISO 200
    Strobist info:
    Two SB-900 on voice-activated tripod (Tahmid) on camera left with warm gel filter; TTL mode; triggered by SU-800


    From Nikunja Strobist Meet, 16 April 2010

    model: biju
    Nikon D700 + Nikkor AF 20mm f2.8D
    f4, 1/1,250sec, ISO 200
    Strobist info:
    Two SB-900 on voice-activated tripod (Tahmid) on camera left with warm gel filter; TTL mode; triggered by SU-800


    From Nikunja Strobist Meet, 16 April 2010

    model: tahmid
    Nikon D700 + Nikkor AF 20mm f2.8D
    f4, 1/1,000sec, ISO 200
    Strobist info:
    Two SB-900 on voice-activated tripod (Atia) on camera left with warm gel filter; TTL mode; triggered by SU-800


    then we came up with the crazy idea of capturing a high-speed duel between two "urban warriors"....... the light was fading, but we had the flash duration of the strobes to support us in capturing motion.......
    From Nikunja Strobist Meet, 16 April 2010

    model: tahmid & biju
    Nikon D700 + Nikkor AF 20mm f2.8D
    f5.6, 1/100sec, ISO 200
    Strobist info:
    Two SB-900 on ground; one on camera left and another on camera right; with warm gel filter; TTL mode; triggered by SU-800


    From Nikunja Strobist Meet, 16 April 2010

    model: tahmid & biju
    Nikon D700 + Nikkor AF 20mm f2.8D
    f5.6, 1/100sec, ISO 200
    Strobist info:
    Two SB-900 on ground; one on camera left and another on camera right; with warm gel filter; TTL mode; triggered by SU-800


    we had to bring down the shutter speed and boost up ISO to bring the background into play...... it was already getting dark.....
    From Nikunja Strobist Meet, 16 April 2010

    model: tahmid & biju
    Nikon D700 + Nikkor AF 20mm f2.8D
    f6.3, 1/30sec, ISO 640
    Strobist info:
    Two SB-900 on ground; one on camera left and another on camera right; with warm gel filter; TTL mode; triggered by SU-800


    by the time we came up with the idea of a group shot, it was already quite dark..... and without a tripod, it became sort of a pain to get the best composition...... the effort was still there to get a goodish group portrait.....
    From Nikunja Strobist Meet, 16 April 2010

    The Koba Squad!!

    Nikon D700 + Nikkor AF 20mm f2.8D
    f6.3, 1/5sec, ISO 640
    Strobist info:
    Two SB-900, one SB-800 and one SB-600 on ground; two on camera left and two on camera right; with warm gel filter on the SB-900s; TTL mode; triggered by SU-800; on timer; on ground

    please don't forget to visit the whole gallery to have a look at more pics, including some hilarious bloopers!!
    Nikunja Strobist Meet, 16 April 2010